One of the beautiful bays in the Tufi area of Oro Province, Papua New Guinea.
Caroline's portraits challenge stereotypes about Melanesian people, convey traditions across generations and inspire future artists to document their culture. Headhunt Revisited aspires to continue this noble endeavor, defying "savage" misconceptions and generating a revitalization of cultural self-expression through photography, painting and film.
A documentary film that connects Caroline, Michele and Jeffry's artwork in a story that celebrates the people of Melanesia and illustrates how art transcends time, genre and geography.
An exhibition that will display Jeffry and Michele's contemporary portraits of Melanesians today alongside Caroline's paintings to show the contrast of the culture over time.
A book with large full-page images of the exhibition artwork and additional historical content about Caroline and art in Melanesia.
An interactive website that allows users to explore a map with all the destinations in Michele's and Caroline's journeys to Melanesia. Portraits and stories of Caroline, Jeffry and Michele's artwork are all plotted on the map. In the second phase of the website, other artists are able to add portraits and stories they have created of Melanesians illustrating the true diversity of the people and encouraging the documentation of their unique culture through art.
Traditional art in Melanesia, like carvings, biliums, and traditional dress, is all made of natural material. Contemporary art in Melanesia on paper and canvas is a young, vibrant and growing medium. Headhunt Revisited seeks to generate exposure and recognition for the rising artists, such as Jeffry Feeger, who are using their talents to document their culture and tell stories about the environmental and social issues now playing out in the region.
The project donated large color prints of many of Caroline's paintings to the Solomon Islands National Museum, and to Dame Carol Kidu, Minister of Community Development for the PNG parliament. Due to their age and fragility, the original paintings must stay in the United States, but the prints can be displayed. These otherwise inaccessible images will pay homage to traditional heritage, and are rich in historical, ethnographic detail.